Your Live Entertainment AI Assistant Live Entertainment Discovery
Our advisors have the mandates, the rooms and the market data to turn a one-line request into a booked show. Xavi and nine specialist agents do the work underneath. A named human owns the date, signs the terms and answers the phone on the night.
Mandated acts with draw bands, availability and who may actually accept an offer.
Rooms by city and capacity, with holds, load-in reality and programming fit.
Local partners scored on draw against the room, not on reputation.
Credentialed crews — rigging, pyro, security — checked against your booked date.
Rate cards with price as the headline: sound, lights, staging, hospitality.
Ranked by mandate coverage, not roster size, and by how fast they reply.
Slots, routing windows and what a bill still needs.
Category partners looking for the audience you already have.
One object carries your show from request to settlement — shared by you, Xavi, your advisor, the suppliers and Lyve ENT. Pick a request below and watch it run.
Brief fields appear here as Xavi structures your request: objective, dates, city and radius, audience, budget, artist or genre, venue, production, travel, content, deadline and approval status.
Three rooms are holdable today. I can't place a hold, send an offer or agree terms — that's a named human. Your advisor Marissa L. can take it to signature; she has the Florida mandate and replies inside 4 hours.
The routing holds and the rooms are provisionally available. Announcing, offering and signing are human decisions — and from T-48h each date needs a named on-date owner before it enters show week.
Two acts are bookable today and one is enquiries-only — their agent can't take a deal to signature. I can prepare the offers; sending them and announcing the bill are human decisions.
Eleven acts are routable and mandated. Approaching them, making offers and announcing the bill are named-human decisions — and festival bills need the promoter of record on the gate call.
Every Brief comes back with alternatives tested on eight fit questions — audience density, draw band, room fit, programming fit, date fit, economics, operations and reliability. Cost is checked last, never first.
Mandated artists, held rooms, credentialed production crews and negotiated rate cards across the network, with the terms visible before you commit.
From 48 hours out, every Brief has a named on-date owner or it doesn't enter show week. Contracts, deposits and payouts run through Lyve ENT, so nobody is chasing a transfer at load-in.
Mandate status is shown before you ask, so you never build a show around talent nobody can sign.
The ladder is a review-capacity tier, not just a price tier. It caps the highest-consequence decision Lyve will accept on your Brief.
Xavi works the Brief, you take every decision yourself.
A named advisor is assigned to the Brief and takes the offers and terms.
Lyve runs delivery end to end, including production and show week.
A Lyve team sits inside your organisation for a season.
"We asked for a room and got three, with the reasons. The one we'd have picked ourselves was the one Xavi ranked third — and it was right."
"The part that changed our week is knowing who owns the date. From 48 hours out there is one name, and they answer."
"Our advisor kept the client relationship and we kept the artist relationship. Nobody got disintermediated, which is why we came back."
"Settlement came through Lyve ENT before the crew had packed down. That has never happened to us before."
Turn it into a business. Keep your clients and your book. Work on our mandates, our rooms, our agents and our contracting — flexible or full-time, from anywhere you can work a date.
